Point of View in the Cinema
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to qnaturalizeq style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.20a21; for relevant quotes by Nash, Nowell-Smith, and Willemen, see ch. 1, sec. 3 and 4; citations ... This is Todorova#39;s principle essay on embedding; other essays which discuss embedding include aLanguage and Literaturea, p. 21; aPrimitiveanbsp;...
| Title | : | Point of View in the Cinema |
| Author | : | Edward Branigan |
| Publisher | : | Walter de Gruyter - 1984-01-01 |
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