Blood Talk

Blood Talk

4.11 - 1251 ratings - Source

The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genrea€”the race melodramaa€”and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena. Blood Talk shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.107 In an entirely new, highly figurative paragraph, added to the Darkwater version of the essay, Du Bois underscores the ... in world history, the 191 5 version truncates its analysis of aquot;human empireaquot; with the dismissive aquot;so much for the past.

Title:Blood Talk
Author: Susan Gillman
Publisher:University of Chicago Press - 2003-09-15

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